Released in 2009 (though with a fair share of controversy over the admittedly tasteless title, “Barbarian Princess”), with limited run last year and a DVD release in September, Princess Kaiulani is a gorgeously-shot tale of an unjustly forgotten figure in American history. Though the writing isn’t as nuanced as it could be, and there are many holes in the tale which require further reading after viewing the tale, for a movie which sheds light on a dark, yet fascinating period not often told outside of Hawaiian history, Princess Kaiulani is an excellent addition to the library of any history buff and period film aficionado. The film follows Princess Victoria Kaʻiulani Kalaninuiahilapalapa Kawekiu i Lunalilo Cleghorn (to give her full name) from shortly before her mother’s death to her own premature death at the age of 23. In between that regrettably short time span, we are shown the tenuous state of Hawaii’s royal family and its inhabitants.

The first documented contact between Hawaiian inhabitants and European explorers was in the late eighteenth century, when an Englishman named James Cook came across the island and named it the “Sandwich Islands” in honor of his patron, the 4th Earl of Sandwich. The first half of the nineteenth century saw an influx of European visitors, whalers, explorers and so on, in particularly the British, but as with European contact with Native Americans, these new people brought diseases which, by the 1850s, decimated 1/5th of the Hawaiian population. By this time as well, the House of Kamehameha reached prominence, but the death of the childless King Kamehameha V in 1872 left the kingdom without an heir, and the subsequent power struggle between Kalākaua and Queen Emma, Kamehameha’s widow, opened the door for British and American intervention. The House of Kalākaua eventually gained preeminence, and it is from this dynasty that Princess Victoria Kaʻiulani descended.

The reign of her uncle, King Kalākaua, and then of her aunt Queen Liliʻuokalani, were tumultuous. Hawaii’s sovereignty was threatened both by the country’s prosperous white minority, but by the growing imperialist desires of America. The concept of “Manifest Destiny” reached its fruition by the 1880s and 1890s, and with European powers dominating Africa and Southwest Asia, the United States could look only West (or, rather East, to Asia) and South for their own “place in the sun.” The first major blow to Hawaii was the Bayonet Constitution of 1887, which stripped King Kalākaua of his personal authority and established a constitutional monarchy patterned after Great Britain. After his death in 1891, fears that Queen Liliʻuokalani planned to overturn the constitution and re-instate the previous absolute rule of her family dynasty prompted the overthrow of the Hawaiian king in 1893. As her aunt’s heir, Princess Kaʻiulani had been sent to be educated in England in 1889, but the events of 1893 prompted the now 18 year old to return to the land of her birth and people to fight for her country’s rights.

Though shy, upon reaching American shores, she made this forceful speech to a waiting public:

“Seventy years ago Christian America sent over Christian men and women to give religion and civilization to Hawaiʻi. Today, three of the sons of those missionaries are at your capitol asking you to undo their father’s work. Who sent them? Who gave them the authority to break the Constitution which they swore they would uphold? Today, I, a poor weak girl with not one of my people with me and all these ‘Hawaiian’ statesmen against me, have strength to stand up for the rights of my people. Even now I can hear their wail in my heart and it gives me strength and courage and I am strong – strong in the faith of God, strong in the knowledge that I am right, strong in the strength of seventy million people who in this free land will hear my cry and will refuse to let their flag cover dishonor to mine!”

Her poise, her modern dress, and her intelligence shocked everyone, for the media had been prepared to greet a “barbarian” and “heathen”, not a woman who could speak four languages and speak well in all of them. However, despite the growing press surrounding her, her meeting with President Cleveland, and attempts to force the government to leave Hawaii be, the Republic of Hawaiʻi was declared in 1894. A counter-revolution was attempted in 1895, but when a cadre of weapons was discovered on palace grounds, Queen Liliʻuokalani was placed under arrest, tried by a military tribunal of the Republic of Hawaiʻi, convicted of misprision of treason and imprisoned in her own home. Princess Kaʻiulani finally returned to Hawaii in 1897, now considered a private citizen of the republic. Her frail health turned for worse in 1898 when caught in a storm, and another illness dealt another blow, until she finally passed away March 6, 1899 from what many say was really of a broken heart.

Q’Orianka Kilcher portrays this forgotten princess with much sensitivity and skill, and though the script plays with historical license (particularly in beefing up a love interest), it stays true to the spirit of Princess Kaʻiulani and her family, and presents a fair view of the overthrow of the Hawaiian kingdom. Purchase the DVD or streaming at Amazon.

The year is 1912. Adèle Blanc-Sec, an intrepid young reporter, will go to any lengths to achieve her aims, including sailing to Egypt to tackle mummies of all shapes and sizes.

Meanwhile, in Paris, it’s panic stations! A 136 million-year old pterodactyl egg on a shelf in the natural history museum has mysteriously hatched, and the bird subjects the city to a reign of terror from the skies. But nothing fazes Adèle Blanc-Sec, whose adventures reveal many more extraordinary surprises…

Set in the carefree world before World War I, Adèle Blanc-Sec’s adventures see the brave young woman fearlessly battling crooks, corrupt politicians, demon worshipers and mad scientists. Legendary cartoonist Jacques Tardi’s original stories perfectly recreate the intrigue, romance and excitement of one of the most tumultuous periods in history.

Adapted and directed by Luc Besson (Arthur and the Minimoys, The Fifth Element, The Professional), Adèle’s exhilarating, funny and fabulous adventures will be one of the most eagerly anticipated releases of 2010.

This Thursday marks the 100th anniversary of Thomas Edison’s ground-breaking Frankenstein movie, and it’s finally coming out on DVD in a restored print. Frankenstein’s actors were paid $5 a day and hid the fact that they were slumming in movies.

The restored DVD print of the first ever Frankenstein movie is the work of Frederick C. Wiebel, Jr., who’s also written a book about the making of that film and other early films from 100 years ago.

In a great ABC News article, Wiebel reveals that the film’s special effects are pretty primitive. The most expensive element might be a Frankenstein dummy, which they lit on fire — and then cranked the film backwards, so the dummy appeared to emerge, unscathed, from the flames. Frankenstein director James Searle Dawley learned his craft from Edison’s main director, Edwin Porter, who invented cinematic techniques such as cross-cutting and close-ups. (And who also mentored D.W. Griffith, director of Birth Of A Nation.)

The whole movie is on YouTube — although let’s hope the DVD version is slightly clearer:

Hat tip to io9.com

The gorgeous Emily Blunt portrays Victoria with a potent mix of grace and majesty, and her chemistry with Rupert Friend (best known as Mr Wickham from P&P ’05) as Prince Albert is astounding. Rounding up the supporting cast are Paul Bettany as William Melbourne, Miranda Richardson as Victoria’s mother, the Duchess of Kent, Jim Broadbent as Victoria’s uncle, King William IV, Thomas Kretschmann as Victoria’s cousin-in-law/uncle King Leopold of Belgium, and Mark Strong as the Duchess of Kent’s rumored lover, Sir James Conroy.

The Young Victoria is written by Julian Fellowes (Gosford Park, Vanity Fair) and directed by Jean-Marc Vallée (C.R.A.Z.Y.). Producers on the film are Graham King, Martin Scorsese, Tim Headington and Sarah Ferguson.

OFFICIAL TRAILER

QUEEN’S CORONATION

From wikipedia:

The novel tells of a young man named Dorian Gray, the subject of a painting by artist Basil Hallward. Basil is impressed by Dorian’s beauty and becomes infatuated with him, believing his beauty is responsible for a new mode in his art. Talking in Basil’s garden, Dorian meets Lord Henry Wotton, a friend of Basil’s, and becomes enthralled by Lord Henry’s world view. Espousing a new hedonism, Lord Henry suggests the only things worth pursuing in life are beauty and fulfillment of the senses. Realizing that one day his beauty will fade, Dorian cries out, expressing his desire to sell his soul to ensure the portrait Basil has painted would age rather than himself. Dorian’s wish is fulfilled, plunging him into debauched acts. The portrait serves as a reminder of the effect each act has upon his soul, with each sin displayed as a disfigurement of his form, or through a sign of aging.

The 1945 adaptation of Wilde’s novel starred the wonderful George Saunders as Lord Henry Wotton (best known for playing Rebecca’s sinister cousin in Hitchcock’s 1940′s eponymous classic, and Addison DeWitt in All About Eve),  Angela Lansbury, Peter Lawford, and Donna Reed. This version stars Colin Firth and Ben Barnes as Lord Henry and Dorian Gray, respectively.

Release Dates (currently no US ):
UK – 9 September 2009
Canada – 11 September 2009 (Toronto Film Festival)
Greece – 17 September 2009
Italy – 23 October 2009
Australia – 12 November 2009
Finland – 25 December 2009

A review:

The series was only shown once in the U.S., and not in 1972, but more likely 1975 or so. It was shown on “Masterpiece Theatre” but not the entire eight episodes. Only a few of the episodes were shown, such as one about a strike that threatened the British Music Halls, that involved Marie Lloyd (Georgia Brown) and Charles Coborn (Peter Pratt, singing “The Man Who Broke The Bank At Monte Carlo” – Coborn’s most famous number). The plot in that episode was how Lloyd was trying to talk an illusionist to join the budding labor walk-out. The episode regarding the founding of Rolls – Royce (with Michael Jayson as Henry Royce) was another of the episodes, as was one dealing with Sir Arthur Conan Doyle (Nigel Davenport) saving a young Parsee solicitor named George Edalji (Sam Dastor) from being accused of maiming and mutilating horses and cattle in England’s midlands (the basis, by the way, of the play EQUUS). Anthony Hopkins played David Lloyd George, rising in this period to the Chancellorship of the Exchequer, and finding that his personal life and personality threaten his ambitions to be Prime Minister one day. The connecting link of the episodes was Thorley Walters, as Prince of Wales, and later King Edward VII. His own life was illustrated in dealing with his love affair with Alice Keppel. But that episode never aired in the U.S., nor did episodes about Baden-Powell and the founding of the Boy Scouts and the oddest of “great” Edwardians, the journalist – politician – lay lawyer, and swindler – Horatio Botttomley (Timothy West). [Source]

Pre-order at amazon.com