Elizabeth Robins Pennell on A Perfect Breakfast, 1900

Elizabeth Robins Pennell, an American biographer, food and art critic, and traveler who settle in London with her artist husband, Joseph Pennell, had a weakness for eating, cookery, and cookbooks. By the time of her death in 1936, she had accumulated a collection of over 400 cookbooks, all of which she bequeathed to the Library of Congress.

The Breakfast Table 1883 John Singer Sargent

The Breakfast Table, 1883 – John Singer Sargent


Breakfast means many things to many men. Ask the American, and he will give as definition: “Shad, beefsteak, hash, fried potatoes, omelet, coffee, buckwheat” cakes, waffles, cornbread, and (if he be a Virginian) batter pudding, at 8 o’clock A.m. sharp.” Ask the Englishman, and he will affirm stoutly: “Tea, a rasher of bacon, dry toast, and marmalade as the clock strikes nine, or the half after.” And both, differing in detail as they may and do, are alike barbarians, understanding nothing of the first principles of gastronomy.

Seek out rather the Frenchman and his kinsmen of the Latin race. They know: and to their guidance the timid novice may trust herself without a fear. The blundering Teuton, however, would lead to perdition; for he, insensible to the charms of breakfast, does away with it altogether, and, as if still swayed by nursery rule, eats his dinner at noon—and may he long be left to enjoy it by himself! Therefore, in this, as in many other matters that cater to the higher pleasures, look to France for light and inspiration.

Upon rising—and why not let the hour vary according to mood and inclination?—forswear all but the petit déjeuner: the little breakfast of coffee and rolls and butter. But the coffee must be of the best, no chicory as you hope for salvation; the rolls must be crisp and light and fresh, as they always are in Paris and Vienna; the butter must be pure and sweet. And if you possess a fragment of self-respect, enjoy this petit déjeuner alone, in the solitude of your chamber. Upon the early family breakfast many and many a happy marriage has been wrecked; and so be warned in time.

At noon once more is man fit to meet his fellow-man and woman. Appetite has revived. The day is at its prime. By every law of nature and of art, this, of all others, is the hour that calls to breakfast.

When soft rains fall, and winds blow milder, and bushes in park or garden are sprouting and spring is at hand, grace your table with this same sweet promise of spring. Let rosy radish give the touch of colour to satisfy the eye, as chairs are drawn in close about the spotless cloth: the tiny, round radish, pulled in the early hours of the morning, still in its first virginal purity, tender, sweet, yet peppery, with all the piquancy of the young girl not quite a child, not yet a woman. In great bunches, it enlivens every stall at Covent Garden, and every greengrocer’s window; on the breakfast table it is the gayest poem that uncertain March can sing. Do not spoil it by adding’ other h’ors d’œuvres; nothing must be allowed to destroy its fragrance and its savour. Bread and butter, however, will serve as sympathetic background, and enhance rather than lessen its charm.

Vague poetic memories and aspirations stirred within you by the dainty radish, you will be in fitting humour for œufs aux saucissons [eggs with sausages], a dish, surely, invented by the Angels in Paradise. There is little earthly in its composition or flavour; irreverent it seems to describe it in poor halting words. But if language prove weak, intention is good, and should others learn to honour this priceless delicacy, then will much have been accomplished. Without more ado, therefore, go to Benoist’s, and buy the little truffled French sausages which that temple of delight provides. Fry them, and fry half the number of fresh eggs. Next, one egg and two sausages place in one of those irresistible little French baking-dishes, dim green or golden brown in colour, and, smothering them in rich wine sauce, bake, and serve—one little dish for each guest. Above all, study well your sauce; if it fail, disaster is inevitable; if it succeed, place laurel leaves in your hair, for you will have conquered. “A woman who has mastered sauces sits on the apex of civilisation.”

Without fear of anti-climax, pass suavely on from œufs aux saucissons to rognons sautés [sauteed kidneys]. In thin elegant slices your kidneys should be cut, before trusting them to the melted butter in the frying pan; for seasoning, add salt, pepper, and parsley; for thickening, flour; for strength, a tablespoonful or more of stock; for stimulus, as much good claret; then eat thereof and you will never repent.

Dainty steps these to prepare the way for the breakfast’s most substantial course, which, to be in loving sympathy with all that has gone before, may consist of côtelettes de mouton au naturel [plain mutton chops]. See that the cutlets be small and plump, well trimmed, and beaten gently, once on each side, with a chopper cooled in water. Dip them into melted butter, grill them, turning them but once that the juice may not be lost, and thank kind fate that has let you live to enjoy so delicious a morsel. Pommes de terre sautées [fried potatoes] may be deemed chaste enough to appear —and disappear—at the same happy moment.

With welcome promise of spring the feast may end as it began. Order a salad to follow: cool, quieting, encouraging. When in its perfection cabbage lettuce is to be had, none could be more submissive and responsive to the wooing of oil and vinegar. Never forget to rub the bowl with onion, now in its first youth, ardent but less fiery than in the days to come, strong but less imperious. No other garniture is needed. The tender green of the lettuce leaves will blend and harmonise with the anemones and tulips, in old blue china or dazzling crystal, that decorate the table’s centre; and though grey may be the skies without, something of May’s softness and June’s radiance will fill the breakfast-room with the glamour of romance.

What cheese, you ask? Suisse, of course. Is not the month March? Has not the menu, so lovingly devised, sent the spring rioting through your veins? Suisse with sugar, and prolong the sweet dreaming while you may. What if work you cannot, after thus giving the reins to fancy and to appetite? At least you will have had your hour of happiness. Breakfast is not for those who toil that they may dine; their sad portion is the mid-day sandwich.

Wine should be light and not too many. The true epicure will want but one, and he may do worse than let his choice fall upon Graves, though good Graves, alas! is not to be had for the asking. Much too heavy is Burgundy for breakfast. If your soul yearns for red wine, be aristocratic in your preferences, and, like the Stuarts, drink Claret—a good St. Estéphe or St. Julien.

Coffee is indispensable, and what is true of coffee after dinner is true as well of coffee after breakfast. Have it of the best, or else not at all. For liqueur, one of the less fervent, more maidenly varieties, Maraschino, perhaps, or Prunelle, but make sure it is the Prunelle, in stone jugs, that comes from Chalon-sur-Saone. Bring out the cigarettes—not the Egyptian or Turkish, with suspicion of opium lurking in their fragrant recesses—but the cleaner, purer Virginian. Then smoke until, like the Gypsy in Lenau’s ballad, all earthly trouble you have smoked away, and you master the mysteries of Nirvana.

The Feasts of Autolycus: The Diary of a Greedy Woman (1900)

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Before & After in a Birmingham slum

The late Victorian and Edwardian eras were the epoch of slum clearances. Philanthropists, Fabians, and the newfangled city councils were determined to stamp out poverty with action as opposed to donating sums to charities and hoping it would reach those in need. Yet, the process of clearing tenements and building more sanitary living spaces and council flats was controversial: the poor were forcibly ejected from their homes with no place to go, and frequently, these new buildings charged higher rents than the former tenants could afford.

In 1907, Birmingham had a population of a little over half a million, all of whom lived in 100,000 tenements–half were of four rooms or less, and 30-40,000 of the other half were of the back-to-back type. In one area, conditions were so poor, the death rate was 32 per 1,000, as opposed to 16 per 1,000 for the whole city.

In the year 1904, Dr. Robinson, the Medical Officer of Health for Birmingham, described the kind of dwellings dealt with by the [Housing Committee] as follows :—

A large proportion of the houses are badly constructed, and have unhealthy surroundings. Most of these have damp floors in the lower rooms through the tiles being laid on the bare earth. The walls are damp from absence of any damp course, from defective brickwork and pointing, and from defective spouting. The woodwork is decayed and rotten from damp. The surfaces of the walls and ceilings are not smooth and hard, and therefore allow of the accumulation of dust and dirt. In many cases the filth of ages is accumulated above the lathing of the ceilings and behind skirting boards and wooden dados erected to hide damp.

In addition to the above, the environment of such houses is distinctly bad. In many there is insufficiency of daylight. In a large number there is no chance of getting a reasonable supply of fresh air, from the fact that the houses are built in crowded courts.

In many of these courtyards pan closets still exist. The stench from these, even when the pans are empty, pervades the courtyard, and can be smelled in the interior of the houses. These closets, like the houses, are of the cheapest and most slim construction. They are constantly getting out of repair. They are, like the yards, used by more than one house, and it is only reasonable to expect that one tenant will object to cleanse away filth made by another.

Between January 1902 and December 1906, the Birmingham City Council Housing Department demolished and condemned buildings, repaired tenements, and built new housing for the poor at a cost of £30,000

Before

Birmingham slum

After

Birmingham slum

Birmingham slum

Before

Birmingham slum

After

Birmingham slum

Housing Up-to-date (1907)

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Interview & Giveaway with Allison Rushby, author of The Heiresses

Remember this really fun serial novel I mentioned last week? Luckily for interested readers, today is its paperback release, and Allison Rushby has stopped by for a quick Q&A and is giving away a chic 1920s-inspired scarf.

The Heiresses by Allison Rushby

In Allison Rushby’s Heiresses, three triplets—estranged since birth—are thrust together in glittering 1926 London to fight for their inheritance, only to learn they can’t trust anyone—least of all each other.

When three teenage girls, Thalia, Erato and Clio, are summoned to the excitement of fast-paced London—a frivolous, heady city full of bright young things—by Hestia, an aunt they never knew they had, they are shocked to learn they are triplets and the rightful heiresses to their deceased mother’s fortune. All they need to do is find a way to claim the fortune from their greedy half-brother, Charles. But with the odds stacked against them, coming together as sisters may be harder than they think.

Where did you get the inspiration for The Heiresses?

This is extremely embarrassing, but I think it was actually from watching a Dr Phil show, years ago. I can’t say too much as it will spoil the plot completely, but I saw a segment that involved a family and their genetic makeup and asked my husband (a medical specialist) about it all that evening. This led me to wondering how this family’s scenario might have
played out if genetic testing was not available to them, which is the case in The Heiresses, set in 1920s London.

How long did it take to you to complete The Heiresses?

The Heiresses was a little different for me because it was contracted from only a short writing sample and a series guide. I wrote it very quickly, in under nine months (altogether, it’s roughly 120,000 words). Usually I wouldn’t be
anywhere near this fast!

What was the hardest part about writing The Heiresses?

The most difficult part was the historical research. Although I love to read historical books and watch documentaries and historical dramas on TV, I hadn’t actually written anything historical before. When I started writing, I found myself stopping after every second sentence or so to research this point and that point. After a while, I realised I had to write on and put little ‘x’ signs where I needed to research and go back later to do all my research in one session, or I’d never get anywhere!

Luckily, I wrote The Heiresses while living in Cambridgeshire in the UK (I usually live in Australia), so could pop on a fast train and be in London in under an hour to research anything I liked. Being so close to London was an enormous bonus – from the London Transport Museum, to simply walking around Belgrave Square, it really brought the story to life for me. I even managed to crash the village set of Downton Abbey, which was a hugely exciting day, despite the fact that it snowed (Australians don’t do snow well…)!

Can you tell us more about writing historical New Adult?

As it happens, when I first had the idea for what would become The Heiresses (years ago), there was no such term as New Adult. The idea itself meant that the story required three 18-ish year-old heroines (they needed to be able to inherit money, be of marriageable age, live away from home and be generally young and fabulous in 1920s London etc.), so it simply happened to fall into the New Adult genre naturally. As for the world, I’ve always adored reading about London in the 1920s and it’s a perfect fit for the New Adult genre — the years between WWI and WWII were a very heady, unstable time to be young in England, with death looming and a ‘live for the moment’ motto.

What are you writing now?

I’ve just finished a contemporary New Adult novel. While it’s set in the present day, it’s not college-based, but is about a charismatic modern artist and a young woman who becomes his muse. It’s set in Paris, London and New York. My next New Adult novel will most likely be historical, though.

Read an excerpt of The Heiresses here. Visit Allison Rushby at her official website, follow her on Twitter, or Facebook. Her online diary, Keep Calm and Carry Vegemite, chronicles her amusing experiences as an Aussie transplant in England.

Giveaway of one (1) flapper printed scarf

Flapper scarf

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